Batman and Mr. Freeze: SubZero (1998)

Batman and Mr. Freeze: SubZero (1998)

Dir. Boyd Kirkland

Victor Fries (Michael Ansara) does the wrong things for arguably the right reason: for love, but it's the all-consuming kind that can cloud judgment and rationale. He's a tragic figure whom tragedy seems to follow, even when far from civilisation.

When the world that Victor purposefully left behind intrudes upon the peaceful existence that the cryogenics expert created for himself, Batman (Kevin Conroy) is forced to step in and take him down. Bruce isn't alone this time, however, because he has Robin (Loren Lester) to help him.

It's the second film in the DC Animated Universe (TAS) continuity, set sometime between the end of The Animated Series and the beginning of its successor, The New Batman Adventures. 

The New Batman Adventures (1997-99)

The New Batman Adventures (1997-99)

Dirs. Various | 24 episodes, approx 22 mins each.

A direct continuation of Batman: The Animated Series set two years after TAS ended. It had many of the same cast and creative team behind the scenes, but it's visually different to what came before, with a different title and a distinct logo design.

It's been previously marketed both as a different show with two produced seasons of its own, and, perhaps erroneously, as a third season of TAS. Like many fans I subscribe to the belief that it is indeed its own thing, albeit one that continues TAS continuity. The many visual changes in the series seem to support that belief.

It features Batgirl (Tara Strong), Robin (Mathew Valencia), and Nightwing (Loren Lester) at various times throughout, with Batman (Kevin Conroy) being the only team member who appears in every episode, but the characters were redesigned to more closely match Superman TAS, due to how the two series were being screened on TV at the time.

Superman: The Animated Series (1996-2000)

Superman: TAS (1996-2000)

Dirs. Various | 54 episodes (split over 3 seasons), approx 22 mins each [1]

Devised and produced by many of the same creative team that made Batman: TAS (1992–95), Superman's animated series looked familiar but also different. Metropolis is brighter than Gotham, with a different kind of art deco influence, one more inspired by Streamline Moderne. Giving each city its own visual identity is a positive change, but the less textured aesthetic of Metropolis looks cheap and sparse by comparison.

Likewise, and the first indication that what you're watching might be a step down in quality, the opening credits, which are a montage of episode scenes in roughly chronological order, feel tawdry and lazy compared to the dramatic excellence of Batman's. Superman's are spoilery, too, for anyone who's not seen the series before.

And subjectively speaking, Shirley Walker's accompanying theme music is also less memorable.

Batman: Mask of the Phantasm (1993)

Batman: Mask of the Phantasm (1993)

Dirs. Eric Radomski + Bruce Timm

MotP was the first film in the DC Animated Universe (TAS). The excellent voice acting, dramatic noir lighting, stylistic art deco designs, and Shirley Walker music all help elevate the work beyond a typical PG rated animation of the era.

Bruce isn't just an angry orphan fighting against a world that he feels took something irreplaceable from him, he's a flawed dark avenger, suffering emotional conflicts as he weighs the lure of a normal, loving relationship against an earnest vow to protect others from the pain he weathers. He's fully aware of why he does what he does, but finds reasons to justify it. I can relate to that. I'm sure we all can. (Except for the dressing in tights part?)

There's been dozens of Batman films since its release, but MotP is still the best that I've seen.

Don't be put off by the CGI opening that takes you thorough a sprawling Gotham skyline. There's an occasional use of CGI throughout the rest of the film, but mostly it's traditional hand-drawn animation, and is all the better for it.

Batman: The Animated Series (1992–95)

Batman: The Animated Series (1992–95)

Dirs. Various | 85 Episodes (65 in S1 + 20 in S2), approx 22 mins each. [1]

Quintessential - that's what The Animated Series version of Batman is for me, outside of the printed page. Whether it be live action or animation, TAS is superior to every other onscreen interpretation of the iconic character that I've encountered thus far.

That same adjective applies to two of its most notable voice actors. Firstly, Kevin Conroy, who provides the voice of both billionaire Bruce Wayne and his pointy-eared and black-caped nighttime alter ego.

The other, mentioned second but no less memorable than the first is Mark Hamill, who brings maniacal life to The Joker. I've not enjoyed Hamill's work outside of TAS, but as the clown prince of crime he's a master.

Justice League Dark: Apokolips War (2020)

Justice League Dark: Apokolips War (2020)

Dirs. Matt Peters + Christina Sotta

Apokolips War marks the end of the DC movie continuity that began with The Flashpoint Paradox (2013). I didn't like the New 52 very much, so have no problems if its influence on the animated universe comes to an end - if indeed that's what actually happens. At time of writing, it remains to be seen if that's the case.

The story begins with a quote written large onscreen, a slight paraphrasing of a famous prayer that was penned by the theologian Reinhold Niebuhr. While initially untitled, in modern times it's become known as the Serenity Prayer. If you're not familiar with the title, it's the verse that encourages one to accept the things that they cannot change; have the courage to change the things that they can; and the wisdom to know the difference.

Wonder Woman: Bloodlines (2019)

Wonder Woman: Bloodlines (2019)

Dirs. Sam Liu / Justin Copeland

Wonder Woman's second solo animated movie is nothing like her first one. In short, the first one was good, but the second one is downright awful.

It begins with Captain Steve Trevor (Jeffrey Donovan) in a jet plane somewhere over the Mediterranean. An unforeseen event causes him to crash into the sea, plunging him also in the world of Diana (Rosario Dawson), Princess of Themyscira, on a secret island that's been sealed away from the rest of the world. Steve's presence is disruptive, most of all to Diana, who quickly decides that everything she's ever known and loved is of lesser value than helping a man that she's just met return home to help his people.

So far, so rushed, but that part of the story is well-known to Wo Wo fans, as is her subsequent travels to the outside world. What follows after is new.