Superman: Man of Tomorrow (2020)

Superman: Man of Tomorrow (2020)

Dir. Chris Palmer

As soon as the DCAMU was ended, the Tomorrowverse continuity was launched. The Adam Strange DC Showcase short (on the JLD: Apokolips War disc) is its beginning, but the first feature-length movie was the aptly named Superman: Man of Tomorrow (2020).

It explores the Kryptonian's early years, firstly as a youth in Smallville and then as a twenty-something adult in Metropolis working as an intern at the Daily Planet newspaper. The latter period is a modern 'smartphone' era. In ways that are both subtle and not, we see his pain at feeling alien and misunderstood.

Things thereafter descend into mostly mediocrity and blandness, with some very uninspired directing choices. It was the director's first feature film, so some allowances must be made, but even with those in place some scenes — such as the one wherein a costumed Supes first meets Lex Luthor — are amateurish at best. I don't mean that to sound unkind; it's simply an opinion.

Batman: Mystery of the Batwoman (2003)

Batman: Mystery of the Batwoman (2003)

Dir. Curt Geda

Batman (Kevin Conroy) rarely gets a break. In addition to risking his life fighting against ego-centric criminals, he risks his public reputation dodging gold-digging ladies at high class charity balls as Bruce Wayne. It's tough being a billionaire.

When a female figure in a stylised bat suit hits the streets of Gotham, being reckless and endangering human life, the caped crusader has to use his night time detective skills and his daytime playboy skills to figure out who's hiding under the mask.

The story offers up more than one possible candidate, which should keep interested viewers guessing for a while. It might be a short while, though, because the 'mystery' aspect isn't as adroitly developed as it could've been.

Batman: Mask of the Phantasm (1993)

Batman: Mask of the Phantasm (1993)

Dirs. Eric Radomski + Bruce Timm

MotP was the first film in the DC Animated Universe (TAS). The excellent voice acting, dramatic noir lighting, stylistic art deco designs, and Shirley Walker music all help elevate the work beyond a typical PG rated animation of the era.

Bruce isn't just an angry orphan fighting against a world that he feels took something irreplaceable from him, he's a flawed dark avenger, suffering emotional conflicts as he weighs the lure of a normal, loving relationship against an earnest vow to protect others from the pain he weathers. He's fully aware of why he does what he does, but finds reasons to justify it. I can relate to that. I'm sure we all can. (Except for the dressing in tights part?)

There's been dozens of Batman films since its release, but MotP is still the best that I've seen.

Don't be put off by the CGI opening that takes you thorough a sprawling Gotham skyline. There's an occasional use of CGI throughout the rest of the film, but mostly it's traditional hand-drawn animation, and is all the better for it.