Batman: The Dark Knight Returns (2012-13)

Batman: The Dark Knight Returns (2012-13)

Dir. Jay Oliva (both parts)

A two-part animation adapted from the 1986 book of the same name by Frank Miller. 

I enjoyed much of Miller's comic work in my younger years, but his dialogue is very much of that particular medium and as such isn't really suitable for film. That meant I wasn't overly concerned that Batman's inner-monologue was removed in the movie version. I thought it would be compensated for through more visual means, but it wasn't.

01. Regarding Part One, what remained was the slow pacing and the deconstruction of the typical superhero genre through various TV broadcasts, offering up conflicting views of the action and the possible motivations of the very different kinds of sociopaths.

Teen Titans: Trouble in Tokyo (2006)

Teen Titans: Trouble in Tokyo (2006)

Dirs. Michael Chang + Ben Jones + Matt Youngberg

A feature-length adventure set after the end of the Teen Titans TV Series (2003-06). It's a movie in its own right, but can be seen as a series finale, too, which helps salve the feeling that the series didn't get a satisfying final episode of its own.

The mini heroes go to Tokyo in pursuit of a bad guy, and despite Robin insisting that it's not a vacation, the rest of the team don't pay much attention to him - Beast Boy, in particular.

It's funny, fast-paced, well-written, full of heart, and has wonderful characterisation. The Titans are voiced by the same actors as they were in the series, with the addition of Cary-Hiroyuki Tagawa and Keone Young on the Japanese side.

As well as tackling the main villain, the team members have their own challenges to overcome.

Justice League: Gods and Monsters (2015)

Justice League: Gods and Monsters (2015)

Dir. Sam Liu

An alternative universe story in which the League's primary members, that's Superman, Wonder Woman, and Batman, are superpowered killers, autonomous but sanctioned by the government - for as long as it suits either party to keep the association. Superman's idea of leadership is to respect his fellow League members and to trample all others who may be in his way. Feared by a vast percentage of the populace, he looks upon himself as a God among ants.

The last son of Krypton's origin story has been shown many times in DC's output. Gods and Monsters does it yet again, but with a difference, one that explains his domineering and militaristic attitude. There's a similarly flashbacked origin story for the other two members, too. It's not just their costumes that differ from those of the usual Justice League world.

Teen Titans (2003-06)

Teen Titans (2003-06)

5 seasons | 65 episodes total, approx 22 mins each.

From front centre and going clockwise, the TT's are Robin, Beast Boy, Raven, Starfire, and Cyborg.

Their base of operations is a T-shaped skyscraper named Titans Tower, located on an island in Jump City bay. Besides the obligatory training rooms and gym, it has a large TV for movies and video games because even superheroes need a hobby.

Just like their elder peers in the DC universe, the teens defend the world from those that would threaten personal freedoms, all while battling personal conflicts. The latter may be unique to each member, but more often than not problems are best resolved through teamwork, highlighting the importance of acknowledging and accepting individual strengths and weaknesses, which is a theme that defines the series, overall.

Batman: Year One (2011)

Batman: Year One (2011)

Dirs. Sam Liu + Lauren Montgomery

Year One is Batman's origin story retold yet again, this time based on Frank Miller's 1987 story arc of the same name (in Batman #404–407).

Visually, it closely resembles David Mazzucchelli's character designs, which I was very pleased about.

It's a surprisingly faithful adaptation, with instances of dialogue and scene setting lifted directly (and at times almost verbatim) from the source text. The perspective is split primarily between Batman/Bruce Wayne and Lieutenant James Gordon, with occasional input from Selina Kyle. Both men provide a rather dry but useful v/o, offering insight into their private thoughts.

Ben McKenzie is okay as Batman, but Bryan Cranston steals the show as a Jim Gordon who has to work hard to win his battles and fix his mistakes. Eliza Dushku is pretty weak as Selina, but the character is very underdeveloped, so she didn't have much to work with, to be fair.

Superman: Red Son (2020)

Superman: Red Son (2020)

Dir. Sam Liu

An Elseworlds tale that explores what the Man of Steel might have become if he'd been raised and come of age in a post-World War II Soviet Union locale instead of a 'friendly' US state.

The one and only time I read the comicbook miniseries that Red Son is based on was about twenty years ago, so, naturally, I remembered absolutely nothing about it. I hoped the movie's story might attempt a meaningful exploration of how much a location's dominant system of beliefs and cultural identity might influence the cognitive development, moral standing, ethical mindset, psychology, etc, of its citizens.

Or, to put it another way, the nurture vs nature debate, which could've critiqued or commented on the accepted, overused norms of the US version of the costumed superhero and his alien origins, through reflection at the very least. Otherwise, what would be the point of shifting the protagonist's all-important location?

Justice League: Doom (2012)

Justice League: Doom (2012)

Dir. Lauren Montgomery

Batman is a notable and valued part of the Justice League collective, but he's never really been what one would call a 'team player'. He'd much rather be alone, doing things his way, accountable to no one but his his own (troubled) conscience.

But it's while alone that each member is most vulnerable. Ergo, if a megalomaniac with strategic knowledge and the proper resources was to target each of the individuals while they were divided…

JL: Doom is an exciting animation that's loosely based on author Mark Waid's four-issue Tower of Babel story that ran in the JLA comics in 2000.

The pacing is excellent, the action is plentiful, and there's a decent level of subtext in play. It's so well assembled that you might not even notice until afterwards that the villains are mostly blank slates who exist to facilitate the main antagonist, himself a character who gets some back-story but doesn't actually do very much. A more devastating threat comes from a less obvious place, and isn't as straightforward as it might sound.

Batman vs Teenage Mutant Ninja Turtles (2019)

Batman vs. TMNT (2019)

Dir. Jake Castorena

I was a huge fan of the Turtles as a teenager, but it didn't carry through to adulthood like my love of Batman did. I've thought of revisiting the first ever TMNT comicbook a few times in the past decade, but that hasn't happened yet. Maybe someday it will.

It might seem like an odd pairing, but a connection is made between the two franchises, so it'll be helpful to have a level of familiarity with both. A basic knowledge of the Turtles' origin will suffice, but you'll need significantly more awareness of Batman's rogues gallery to get the most from it.

The world itself is a respectful merger of the two. It's set in Gotham, so favours that style, particularity during rooftop scenes, but the street level action has a Turtley NY vibe.

Constantine: The House of Mystery (2022)

DC Showcase Animated Shorts:

Constantine: The House of Mystery (2022)

Dir. Matt Peters

C: THoM is a kind of epilogue to the Justice League Dark: Apokolips War (2020) movie, showing what happened to John Constantine after he made his fateful decision therein. [1]

He's now in the House of Mystery and, as is normal for the magic user, his luck is mostly bad. But he's not alone. Many of his friends are there, too. That's good, right? Right?

The story is a 'time reset' scenario, wherein we witness the same starting event more than once, but it moves at a speedy pace and there's a welcome level of dark humour throughout that helps it not feel repetitive.

If he's to escape the cycle, he'll need to use his cunning and his cynicism yet again.

Matt Ryan reprises the role. The honed level of wry wit in his portrayal works better for me in animation than it did in live action.

Batman: Soul of the Dragon (2021)

Batman: Soul of the Dragon (2021)

Dir. Sam Liu

It would be natural to assume that Soul of the Dragon is an actual Batman story, seeing as how it's got his name in the title and he's on the cover art, but it's more accurately a story that just happens to feature Batman a few times throughout.

It's more of a Bruce Wayne (David Giuntoli) story, showing via flashback the time he spent in the Himalayas learning martial arts, honing skills that his Batman persona relies on in the modern era.

At the same time, training under the same sensei (James Hong), are five other students, all of whom are lesser-known DC characters, namely Richard Dragon (Mark Dacascos), Ben Turner (Michael Jai White), Shiva (Kelly Hu), Jade Nguyen (Jamie Chung), and Rip Jagger (Chris Cox).

You can see now why they put Batman in the title. The others may be familiar to long-time comic fans, but for many movie-only fans they may be total unknowns, except for maybe Shiva.

Superman: The Last Son of Krypton (1996)

Superman: The Last Son of Krypton (1996)

Dirs. Dan Riba / Scott Jeralds + Curt Geda / Bruce Timm + Dan Riba

The Last Son of Krypton — not an adaptation of Superman: Last Son of Krypton, which is a 1978 novel by Elliot S. Maggin — is episodes 01-03 of Superman The Animated Series merged together into a one-hour TV Movie. The join could've been better, but the pacing is pretty good.

It's the now-familiar origin story of Krypton's finest son, but familiarity doesn't dull it. In fact, the scenes on the doomed planet are the best part. So too is the voice work; the Earth cast are good, too, but not as impressive as Krypton's.

Clark / Superman's (Tim Daly) adolescence feels a little hurried, but the key players do each get some time in the spotlight. So too does the main villain of the series proper, Superman's nemesis, the bald billionaire Lex Luthor (Clancy Brown).

Being sold as a pick-up-and-watch movie makes the open ending feel a little awkward, so you might want to get TAS afterwards for the rest.

Batman: The Long Halloween (2021)

Batman: The Long Halloween (2021)

Dir. Chris Palmer

The 'Deluxe Edition' of TLH comprises the third and fourth instalments of DC's stupidly named Tomorrowverse continuity. Originally released in two separate parts, the total combined running time is 2:48:18. [1]

That's pretty long as it is, but it felt even longer to me because the pacing is bad, the story is a bit of a mess, and the animation is in the same ugly style as previous instalments.

It's based on a 1996-97 thirteen-issue limited series written by Jeph Loeb and illustrated by Tim Sale, but there are many changes, courtesy of Tim Sheridan, who gets primary writing credit, for some reason. [2]

The original story isn't perfect, either, but the pairing of Loeb and Sale was something special, with Loeb's taut situations brought to life wonderfully by Sale's fluid, dynamic linework and super-dramatic angles. The animation has none of that power. It's bland and has the 'cardboard cut out' feel that I alluded to in a previous review. (E.g., note the bottom of Batman's cape as he walks toward camera - just awful!)

Justice Society: World War II (2021)

Justice Society: World War II (2021)

Dir. Jeff Wamester

An animated tale that's set mostly during WW II, unsurprisingly. In addition to forcibly occupying as much of Europe as they can, Hitler's Nazi forces also hunt for magical items that could sway the tide of war in their favour; e.g., things like the Lance of Longinus, or the Ark of the Covenant, etc. But America send a group of skilled and/or superpowered US citizens under the radar to prevent that from happening.

[If they thought they could feasibly get away with it, I sincerely believe that the US military would want the rest of the world to think that they won that war all by themselves.]

Like the superior JL: The Flashpoint Paradox (2013) movie, the events in JS:WWII occur because of Barry Allen / Flash's unique abilities.

Superman: Man of Tomorrow (2020)

Superman: Man of Tomorrow (2020)

Dir. Chris Palmer

As soon as the DCAMU was ended, the Tomorrowverse continuity was launched. The Adam Strange DC Showcase short (on the JLD: Apokolips War disc) is its beginning, but the first feature-length movie was the aptly named Superman: Man of Tomorrow (2020).

It explores the Kryptonian's early years, firstly as a youth in Smallville and then as a twenty-something adult in Metropolis working as an intern at the Daily Planet newspaper. The latter period is a modern 'smartphone' era. In ways that are both subtle and not, we see his pain at feeling alien and misunderstood.

Things thereafter descend into mostly mediocrity and blandness, with some very uninspired directing choices. It was the director's first feature film, so some allowances must be made, but even with those in place some scenes — such as the one wherein a costumed Supes first meets Lex Luthor — are amateurish at best. I don't mean that to sound unkind; it's simply an opinion.

Superman vs. The Elite (2012)

Superman vs. The Elite (2012) 

Dir. Michael Chang

A rather strange work in which a small group of new 'heroes' arrive in Metropolis and help cut down the Big Blue's workload, but their methods aren't sympathetic with his impossible ideals.

It's based on Joe Kelly's What's So Funny About Truth, Justice & the American Way? (2001) storyline. I've not read the source text, but after watching the film, I definitely want to, which is not my usual response to DC's adaptations.

It doesn't just use the medium as allegory, it includes real world concerns in a fictional setting. It initially distances the origins of the unfavourable actions from American soil so that it can use them as a critique of home, but by the end shrewd viewers will be in no doubt as to what the message is, while at the same time being left with a shaky moral platform from which to soapbox.

Batman: Caped Crusader (2024—)

Batman: Caped Crusader (2024—)

Season 01: 10 episodes, approx 26 minutes each.

The trailer for Batman:CC got me excited about seeing it, mostly because it's clearly influenced by Batman: TAS. But when I learned that it was co-produced by Bad Robot Productions, alarm bells started to ring in my head. Having now watched the entire first season, I feel that those bells were entirely justified in their warning.

By presenting itself as a kind of spiritual successor to TAS, the creators have no one but themselves to blame when viewers make direct comparisons between the two shows. It's helpful because TAS is the best Batman TV series ever made, so there's no better thing to be inspired by, but the flip side is that it creates certain hopes in the viewer that B:CC Season 01 utterly fails to meet.

Green Lantern: Emerald Knights (2011)

Green Lantern: Emerald Knights (2011)

Dirs. Christopher Berkeley / Lauren Montgomery / Jay Oliva

A monstrous evil — i.e., some gubbins about shadow demons, a rift in the nearby Sun, and an anti-matter universe — forces the Elders of the Green Lantern Corps to take drastic measures, which results in every available Lantern queueing up to get their power rings charged. Next to each other in line are Hal Jordan (Nathan Fillion) and a rookie named Arisia Rrab (Elisabeth Moss), who inherited her ring just three days prior and is understandably nervous.

Hal tries to distract the girl from the coming danger by telling her stories from the Corps' past, which is a pretty basic set-up for an anthology with six stories in all; one bridge and five others told via flashback.

Many of the most popular Lanterns are present, including Kilowog (Henry Rollins), Abin Sur (Arnold Vosloo), and Sinestro (Jason Isaacs).

Batman: Death in the Family (2020)

DC Showcase Animated Shorts:

Batman: Death in the Family (2020)

Dir. Brandon Vietti

NOTE: image used is the DVD cover art. The Blu-ray art is much better, but is spoilerific.

It isn't the worst animation that DC has ever put out – because Batman and Harley Quinn (2017) exists – but it's a strong contender for the most perplexing. But before you even get to determine if you feel the same way, it's advisable to watch Under the Red Hood (2010) because DitF uses the same storyline and some of the same footage, but is tweaked to allow the viewer to see alternate paths for some of UtRH's primary characters.

To clarify, you're presented with a choice at certain points in the scenario, such as who will live or who will die, with subsequent footage branching to reflect that choice. Some of what you get is new animation, often giving backstory or referencing something from UtRH. Sometimes it's an entirely new sequence, but at others it's new intercut with existing animation from UtRH, meaning you'll have to sit through some of it yet again.

Batman: Under the Red Hood (2010)

Batman: Under the Red Hood (2010)

Dir. Brandon Vietti

A criminal calling himself Red Hood attempts to take control of Gotham's criminal underworld, an act that doubles as a kind of challenge to Batman.

The villain's methods are extreme and permanent, but seem to be getting results. Batman tries to prevent further casualties; he's determined, brave, and overflowing with professionalism, but something about Red Hood bothers him on a deeply personal level.

The usual DC quality and attention to detail is evident throughout, besides their penchant for trying to incorporate CGI vehicles. The character designs are mostly great, and there's some timely black humour, more often than not courtesy of the Black Mask character (Wade Williams).

Batman: The Killing Joke (2016)

Batman: The Killing Joke (2016)

Dir. Sam Liu

An animated adaptation of Alan Moore and Brian Bolland's celebrated Batman one-shot.

Personally, I enjoy Moore's comic work more often than not, but any filmed versions of his books that I've seen previously have been mostly awful, so I wasn't keen to see it. I prefer original stories written specially for the screen, over adaptations. As it turns out, the film contains both of those things.

It's a short book, just 46 pages long, so some padding was needed to turn it into a 77 mins feature-length film. The extra content is an extended 28 mins prologue featuring Batgirl that greatly upset some members of the fandom. I've written about it elsewhere, so won't go over it again now. [1]